What the Room Does to You
I walk into a shop and instantly sense whether I’m welcome or in the way. Not because of the staff. Because of the room. The ceiling height, the light, the distance to the counter, the acoustics. Something tells me within seconds: Stay. Or: Buy and leave.
Same in offices, libraries, conference rooms, hotels, my bedroom. Every room does something to me. It supports me, or it holds me back. Most of the time I don’t notice it consciously. But my body reacts.
For a long time I suspected this wasn’t imagination. That rooms actually steer how we think, feel, and act. Not metaphorically. Measurably.
The suspicion is correct. There’s an entire field of research for this. It’s called neuroarchitecture.
Zakaria Djebbara showed at the Centre for Cognitive Neuroscience that rooms prepare actions neurally before we make a conscious decision. The brain reads the room and activates behavioral patterns. You don’t decide how you behave in a room. The room decides with you.
Ann Sussman used eye-tracking to demonstrate that we unconsciously scan rooms and respond to visual structures within milliseconds. Not to what we want to see. To what the room shows us.
And then there’s the open-plan research. Hundreds of studies, summarized in systematic reviews. The result is strikingly consistent: open-plan offices worsen concentration, health, satisfaction, and performance. In a study by Banbury and Berry, 99 percent of respondents said office noise impaired their concentration. Not 60 percent. Ninety-nine.
The irony: open-plan offices are built to foster collaboration. But the research shows that the few positive effects on communication are consumed by the negative impact on concentration and privacy.
This is the pattern that occupies me. Rooms have tasks. But they’re rarely built for those tasks.
I want to work but can’t concentrate. Not because I’m undisciplined, but because the room is acoustically open, visually restless, and offers no zone for focused work. I want to talk to people, but the atmosphere isn’t built for communication. Hard surfaces, poor acoustics, no niches for private conversation.
And then there’s the question of the role. Everyone carries a role in a professional context. Manager, advisor, expert, team member. The room co-determines whether I can maintain that role. In a conference room with the right light and the right proportions, I feel competent. In a fluorescent-lit room with a low ceiling and bad air, I feel like a supplicant.
That’s not a feeling. That’s physiology. Ceiling height affects cognitive processing. Light affects hormone levels. Noise affects the ability to complete a complex thought. The brain doesn’t distinguish between a threat from an aggressive person and a threat from a room that’s too loud, too tight, or too restless. Stress is stress.
Plantronics introduced four zones in their Swindon office: Communication, Collaboration, Concentration, Contemplation. Each zone designed for a specific activity. The result: absenteeism dropped from 12.7 to 3.5 percent. Satisfaction rose from 61 to 85 percent. Not through motivation programs. Through room design.
What surprised me about the research isn’t that rooms have an effect. I’ve always felt that. What surprised me is how little this knowledge is applied. Architects learn structural engineering, material science, building codes. What a room does to the human nervous system isn’t in most curricula.
This means: most rooms where we work, learn, heal, and live weren’t built for us. They were built for budgets, for floor plans, for aesthetics, for building regulations. The person who uses the room appears in the planning. But their nervous system doesn’t.
I believe this will change. The research is there. The evidence is there. What’s missing is the translation into practice. Someone has to explain to the architects, the developers, and the companies what neuroscience knows about rooms, and what that means for their buildings.
But until then, the reality remains: you walk into a room, and the room works for you or against you. Most people feel this. Very few know why.